Monday, May 5, 2008

These Hard Times - Matchbox Twenty




Morning falls like rain into the city life
There goes another night
Losing my breath in waves
Knowing that ever crash is bleading the hourglass
And taking the strife from all our lives

Everyone keeps talking
They promise you everything
But they don't mean anything

We may loose our focus
There's just too many words
We're never meant to learn
And we don't feel so alive

So goodbye, these days are gone
And we can't keep holding on
When all we need is some relief
Though these hard times
Through these hard times

Move your hands in circles
Keeping me hypnotized
The power behind your eyes
Move around your bedroom cursing the naked sky
You should be here tonight
But you stay alone and cry

Say goodbye, these days are gone
And we can't keep holding on
When all we need is some relief
Through these hard times
(whoa) There's something missing
(Oh whoa) You'll never feel it but you
(Oh whoa) You're gonna feel it when it's gone
When it's gone

Say goodbye, these days are gone
And we can't keep holding on
When all we need is some relief
Through these hard times
(hey) these Hard times
(oh no now) Hard times
Hard times

Say goodbye, these days are gone
Say goodbye, these days are gone
These days are gone

Thursday, February 14, 2008

Way Back Into Love - Music And Lyrics





















I've been living with a shadow overhead
I've been sleeping with a cloud above my bed
I've been lonely for so long
Trapped in the past, I just can't seem to move on

I've been hiding all my hopes and dreams away
Just in case I ever need em again someday
I've been setting aside time
To clear a little space in the corners of my mind

All I want to do is find a way back into love
I can't make it through without a way back into love
Oh oh oh

I've been watching but the stars refuse to shine
I've been searching but I just don't see the signs
I know that it's out there
There's got to be something for my soul somewhere

I've been looking for someone to shed some light
Not somebody just to get me through the night

I could use some direction
And I'm open to your suggestions

All I want to do is find a way back into love
I can't make it through without a way back into love
And if I open my heart again
I guess I'm hoping you'll be there for me in the end
oh, oh, oh, oh, oh

There are moments when I don't know if it's real
Or if anybody feels the way I feel
I need inspiration
Not just another negotiation

All I want to do is find a way back into love
I can't make it through without a way back into love
And if I open my heart to you
I'm hoping you'll show me what to do
And if you help me to start again
You know that I'll be there for you in the end
oh, oh, oh, oh, oh




Won't Go Home Without You - Maroon 5

Won't Go Home Without You




I asked her to stay
But she wouldn't listen
She left before I had the chance to say (oh)
Words that would mend it
Things that were broken
Now it's far too late she's gone away

Every night you cry yourself to sleep
Thinking why does this happen to me?
Why does every moment have to be so hard?
Hard to believe it

It's not over tonight
Just give me one chance to make you right
I may not make it through the night
I won't go home without you (oh)

Taste of her breath I'll never get over
The noises that you make kept me awake
Weight of the things that remain unspoken
Took so much crushed us everyday

Every night she cry herself to sleep
Thinking why does this happen to me
Why does every moment have to be so hard?
Hard to believe it

It's not over tonight
Just give me one chance to make it right
I may not make it through the night
I won't go home without you

It's not over tonight
Just give me one chance to make it right
I may not make it through the night
I won't go home without you

Done all the things I felt but never really showed
Perhaps the worst is that I ever let you go
I should not have ever let you go oh whoa whoa

It's not over tonight
Just give me one chance to make it right
I may not make it through the night
I won't go home without you

It's not over tonight
Just give me one chance to make it right
I may not make it through the night
I won't go home without you
I won't go home without you
I won't go home without you
I won't go home without you

Somebody's me - Enrique Iglesias

At the dawn of the new millennium, Enrique Iglesias was the best-selling Latin recording artist in the world. The son of multi-million-selling singer Julio Iglesias, Enrique was born in Madrid, Spain, where he lived with his mother, his brother Julio, and his sister Chabeli. In 1982, his mother sent them to live in Miami with their father. While there, Enrique was exposed to three different cultures and musical influences: Hispanic, European, and American.
Iglesias' own career started when he was still attending Gulliver Private School, a very prestigious school in Miami. He made his singing debut in a production of Hello, Dolly, after which he began practicing his singing without his parents knowing. After a year studying business at the University of Miami, he decided to follow his passion for music. In 1995, he sang in person for his soon-to-be manager, who at Iglesias' insistence of not wanting to use his family name, first shopped his demos as an unknown Central American singer named Enrique Martinez. It wasn't until he earned a record deal with Fonovisa that Enrique told his father and mother of his aspirations. Then he flew to Toronto, where no one knew him and he could concentrate just on music, to record for five months.
That first album, Enrique Iglesias (1995), sold more than a million copies in three months (it earned him his first gold record in Portugal in a mere seven days) and to date has sold more than six million worldwide. The second album, Vivir (1997), enjoyed global sales of more than five million discs and launched his first world tour, backed by sidemen for Elton John, Bruce Springsteen, and Billy Joel. In a mere three years, Iglesias had sold more than 17 million Spanish-language albums, more than anyone else during that period. (The U.S. was his biggest market.) He also won the 1996 Grammy for Best Latin Performer, 1996's Billboard Artist of the Year, Billboard's Album of the Year for Vivir, two American Music Awards, a World Music Award, eight Premio Lo Nuestro awards, two ACE Performer of the Year awards, and ASCAP prizes for Best Composer of 1996 and 1997, in addition to countless accolades around the world.
With 1998's Cosas del Amor, Iglesias moved to more mature content; his earlier material had been written when he was 17 years old. Then came Enrique, his first Interscope album and first in English. It achieved gold or platinum status in 32 countries and brought his global album sales to a total of more than 23 million. In 2001 he released the follow-up, Escape. Iglesias alternated Spanish- and English-language albums during the next two years, first offering the ballad collection Quizás in 2002, then the mainstream English record 7 in 2003. Four years later the single "Do You Know (The Ping Pong Song)" announced the coming of his 2007 album Insomniac.





Somebody's me
You, do you remember me?,
Like, I remember you?
Do you spend your life, going back in your mind to that time?,
Cause I, I walk the streets alone,
I hate being on my own, and everyone can see that,
I really fell, and I'm going through hell.
Thinking about you with somebody else.

Somebody wants you,
Somebody needs you.
Somebody dreams about you every single night.
Somebody cant breathe, without you it's lonely.
Somebody hopes that one day you will see, that somebody's me.
That somebody's me. yeaa...

How, how did we go wrong?
It was so good, and now it's gone,
And I pray at night, that our path's soon will cross.
What we had, isn't lost.
Cause you are always right here in my thoughts..

Somebody wants you,
Somebody needs you.
Somebody dreams about you every single night.
Somebody can't breathe, without you it's lonely.
Somebody hopes that someday you will see,
That somebody's me. Oh yeah...

You will always be in my life, even if im not in your life.
Cause you're in my memory...

You, when you remember me?...
And before you set me free, oh listen please...

Somebody wants you,
Somebody needs you.
Somebody dreams about you every single night.
Somebody cant breathe, without you it's lonely.
Somebody hopes that someday you will see, that somebody's me.
That somebody's me.
Somebody's me...
That somebody's me...
That somebody's me...
Oh yeah...

Thursday, February 7, 2008

No you hang up - Shayne Ward



Ward was born in 1984 in Clayton, Manchesterto Irish parents. He is in a relationship with long-term girlfriend, Faye. He has six siblings, including a twin sister named Emma. He is also a Manchester Unitedsupporter. Prior to his participation in The X Factor, Ward was in a band called Destiny with two women named Tracy Murphy and Tracey Lyle. They performed at pubs, clubs and weddings. Ward also reached the final thirty of Popstars: The Rivals.
During The X Factor competition, Ward was mentored by manager Louis Walsh (who is now his manager under a joint venture with Global Publishing and Walsh Global Management). The bookies' favourite to win the show, he defeated duo Journey South and singer Andy Abraham in the final, screened by ITV, by a margin of 1.2% of the vote, out of a reported 10.8 million phone votes cast by viewers.

Ward's fourth single was announced as "If That's OK with You", with a release date of 20 August 2007, but was delayed and became a double A-side single with "No U Hang Up". It was released on 24 September 2007, and charted at number two in the UK. "No U Hang Up" and "If That's OK with You" charted separately in Ireland, the former reaching number eleven and the latter entering at number one.

Shayne Ward - No you hang up





If that’s ok with you
I love the way that you look without your make up
I had a girl before we met but we broke up
Theres something about you that makes me want to step up
step up and be with you
If that’s ok with you

We’ll keep the neighbors awake too late too late
‘coz imma make you feel so good thats how I see it happening
Yeah we’ll keep the neighbors awake too late too late
‘coz baby I wanna step up and be with you
if thats ok with you

I’m gonna make you feel like you are heaven on earth
I’m gonna saint your mother just for giving you birth
I’m gonna wanna hold you in my arms when you cry
if thats ok with you
if thats ok with you

I wanna keep your toothbrush at my appartment
Make a second set of keys and ask you to move in
I’m not crazy
I know what im getting myself in
I wanna live with you
If thats ok with you

I’m gonna make you feel like you are heaven on earth
I’m gonna saint your mother just for giving you birth
I’m gonna wanna hold you in my arms when you cry
if thats ok with you
if thats ok with you
If thats ok with you

I’m gonna make you feel like you are heaven on earth
I’m gonna saint your mother just for giving you birth
I’m gonna wanna hold you in my arms when you cry
if thats ok with you
if thats ok with you
if thats ok with you
if thats ok with you
yeah yeah

We’ll keep the neighbors awake too late too late
I wanna love you this way that way this way
We’ll keep the neighbors awake too late too late
I wanna love you this way that way this way

I’m gonna make you feel like you are heaven on earth
I’m gonna saint your mother just for giving you birth
im gonna wanna hold you in my arms when you cry
if thats ok with you
if thats ok with you
I’m gonna love you

I’m gonna make you feel like you are heaven on earth
I’m gonna saint your mother just for giving you birth
I’m gonna wanna hold you in my arms when you cry
if thats ok with you
if thats ok with you
if thats ok with you
if thats ok with you
if thats ok with you
if thats ok with you
if thats ok with you


Wednesday, February 6, 2008

Bleeding Love - Leona Lewis


Every once in a while, an artist comes along whose talent is so undeniable that it inspires everyone who encounters it. British singer and songwriter Leona Lewis is such an artist. Her striking beauty, charmingly down-to-earth personality, and huge, soaring voice has taken over the UK, where her debut Spirit entered the album chart at Number One and became Britain’s fastest-selling debut of all time. Spirit’s lead-off single “Bleeding Love” —co-written and produced by OneRepublic frontman Ryan “Alias” Tedder — claimed the Number One spot for seven weeks, and the album sold over 1 million copies in the UK in just 5 weeks. Ushering in 2008, Leona received four prestigious Brit Award nominations, the UK equivalent of the Grammy Awards.
Spirit will be released in the US by J Records/Syco on April 8, 2008. Written and produced by an array of top-notch hit-makers, the album is a showcase for Lewis’ powerhouse voice — which has evoked comparisons to Mariah Carey, Whitney Houston, and Céline Dion. (Warned Entertainment Weekly: “Divas, watch out!”)“Those women are the true divas,” Lewis insists. “They’re amazing performers whom I’ve listened to for years. These are the people who’ve inspired me to sing, so it’s flattering that I’m being compared to them. But I have a lot of hard work to do first!”
Such disarming modesty is part of what has endeared Lewis to her fans, who watched her journey to stardom on television each week on The X Factor, a British talent show executive-produced by American Idol’s Simon Cowell, who is also a judge. She won the 2006 competition handily, stunning the notoriously critical Cowell into silence who said: “I think she’s one of the best singers we’ve seen in this country for a long, long time.”
Knowing a superstar when he heard it, Cowell phoned legendary music executive and J Records founder Clive Davis and told him: “You might have the next Whitney Houston on your hands.” For the first time, the two teamed up and signed Lewis to J Records/ SyCo Music (Cowell's joint venture with Sony BMG). “I was immediately knocked out by her range, her versatility, and the pure beauty of her voice,” said Davis. “She is an artist who will be a true star for many years to come.”
Davis and Cowell have made sure of it by introducing Lewis to an all-star roster of collaborators to bring out her best on Spirit, including Tedder (currently enjoying his own hit with the ubiquitous “Apologize”), singer/songwriters Akon (Gwen Stefani, T-Pain) and Ne-Yo (Rihanna, Beyoncé, Jennifer Hudson), songwriters Josh Alexander and Billy Steinberg (Madonna, Whitney Houston, Céline Dion), and songwriter/producers Dallas Austin (Madonna, Gwen Stefani, Pink), Stargate (Rihanna, Beyoncé, Ne-Yo), J.R. Rotem (Britney Spears, Ashley Tisdale), and Lukasz “Dr. Luke” Gottwald (Kelly Clarkson, Avril Lavigne).
“It was quite daunting at first to work with such well-known people,” Lewis admits, “but they gave me their full attention and really wanted to do their best. They were all really lovely and I learned something different from each one of them.”
For Lewis, making a solo album was the chance to realize a dream she’s had since the tender age of 5, when her parents (father is Guyanese/mother is Welsh) enrolled her into London’s prestigious Sylvia Young Theatre School. Lewis then attended the performing arts academy The BRIT School, where she honed her songwriting and production skills. Encouraged by winning several talent contests as a teen, she left school and took part-time jobs — including working in Pizza Hut as a waitress — to earn money to pay for studio time. “It was about doing my music,” she says. “It has always been my passion to be a singer and songwriter.”
In 2006, Lewis auditioned for The X Factor and won in a landslide on December 16th. Her first single broke a world record when it was downloaded 50,000 times in 30 minutes and subsequently outsold the rest of the U.K.’s Top 40 singles combined. Leona mania had taken hold of Britain.
Now Lewis hopes to do the same in the U.S. “I wanted to make an album that was totally me,” Lewis says. “Each song is about something that either I’ve gone through or that someone around me has gone through. The lyrics reflect things that I’m really passionate about. I have to be able to put myself in the song for it to ring true to me. If it doesn’t ring true to me, it’s not going to be believable to anyone else.”
Indeed Lewis’ passion for singing comes through loud and clear. “My love for music is my main motivation as an artist,” she says. “I’ve found that you can help so many people with your songs. I’ve received a lot of letters from people saying that ‘Bleeding Love’ really helped them. I think if you can do that, it makes it all worth it.”


Bleeding Love




Closed off from love
I didn’t need the pain
Once or twice was enough
And it was all in vain
Time starts to pass
Before you know it you’re frozen

But something happened
For the very first time with you
My heart melts into the ground
Found something true
And everyone’s looking round
Thinking I’m going crazy

But I don’t care what they say
I’m in love with you
They try to pull me away
But they don’t know the truth
My heart’s crippled by the vein
That I keep on closing
You cut me open and I

Keep bleeding
Keep, keep bleeding love
I keep bleeding
I keep, keep bleeding love
Keep bleeding
Keep, keep bleeding love
You cut me open

Trying hard not to hear
But they talk so loud
Their piercing sounds fill my ears
Try to fill me with doubt
Yet I know that the goal
Is to keep me from falling

But nothing’s greater
Than the rush that comes with your embrace
And in this world of loneliness
I see your face
Yet everyone around me
Thinks that I’m going crazy, maybe, maybe

But I don’t care what they say

I’m in love with you
They try to pull me away
But they don’t know the truth
My heart’s crippled by the vein
That I keep on closing
You cut me open and I....

Keep bleeding
Keep, keep bleeding love
I keep bleeding
I keep, keep bleeding love
Keep bleeding
Keep, keep bleeding love
You cut me open

And it’s draining all of me
Oh they find it hard to believe
I’ll be wearing these scars
For everyone to see

I don’t care what they say
I’m in love with you
They try to pull me away
But they don’t know the truth
My heart’s crippled by the vein
That I keep on closing
You cut me open and I....

Keep bleeding
Keep, keep bleeding love
I keep bleeding
I keep, keep bleeding love
Keep bleeding
Keep, keep bleeding love
You cut me open and I....

Keep bleeding
Keep, keep bleeding love
I keep bleeding
I keep, keep bleeding love
Keep bleeding
Keep, keep bleeding love
You cut me open and I
Keep bleeding
Keep, keep bleeding love

Tuesday, February 5, 2008

EARLY WINTER - GWEN STEFANI


Before she discovered she could write songs, Gwen Stefani was looking forward to a life of marriage, children, and white picket fences. When her brother introduced her to ska and new wave music, it set off a chain of events that would eventually lead to millions of albums sold and a Madonna-sized public image that extended past music and into the worlds of film, fashion, and technology.
Born and raised in Fullerton, CA, Stefani had a musical epiphany at the age of 17. She had fallen in love with the Madness and Selecter records her brother, Eric Stefani, was playing constantly. Seeing Fishbone, the Untouchables, and other bands involved in Los Angeles' ska revival scene only reinforced her interest in music, so she was more than ready when her brother asked her to join a ska band he was forming with a friend named John Spence. Gwen originally shared lead vocals with Spence but in December of 1987 he committed suicide, leaving the band -- now called No Doubt -- with an uncertain future. According to numerous interviews with the bandmembers after their breakthrough, Gwen was the glue that held No Doubt together during these hard times, pushing the group to keep trying. She was also romantically involved with the band's bass player, Tony Kanal, by this time.
After playing numerous gigs and parties, No Doubt were signed to Interscope in 1991. The label considered their 1992 debut album a flop and refused to financially support a tour or further recordings, but the band refused to give up. The self-financed Beacon Street Collection appeared in 1994 and did well enough to make things nice with Interscope, but the band was once again going through a traumatic period behind the scenes. Eric Stefani left to become an animator for The Simpsons and Gwen and Tony's relationship had ended. Gwen wrote a collection of songs focused on heartbreak and rebirth that would become No Doubt's third album, Tragic Kingdom, and the rest, as they say, is history.
With the smash singles "Just a Girl," "Spiderwebs," and "Don't Speak," the album reached the number one spot in Billboard and garnered two Grammy nominations. The press began to focus on Stefani's role in the band. Voted one of People magazine's "50 Most Beautiful People," video and photo shoots focused on her and rumors spread that the other three members of the band were unhappy with the lack of attention they received. This topic of discussion continued as the band released Return of Saturn in 2000 and Rock Steady a year later, but it was overshadowed during this time by new gossip -- Stefani's romantic relationship with Bush's frontman, Gavin Rossdale. She also started doing some work outside the band, lending her vocals to the remix of electronica artist Moby's "Southside" and rapper Eve's "Let Me Blow Your Mind." In 2002, she arrived 45 minutes late for her wedding with Rossdale in London.
After Rock Steady, No Doubt took a break. Stefani approached Kanal about producing an off-the-cuff solo project that would be influenced by her non-ska favorites. Prince, the Time, Club Nouveau, and Madonna were the names thrown around and the idea was to make the project "fast and easy." Over time, the "fast and easy" record morphed into something much bigger. Old friend, former labelmate, and hit songwriter Linda Perry became involved and the project became much more polished, slick, and dance-oriented. A pile of high-profile collaborators -- Dr. Dre, the Neptunes, Dallas Austin, Andre 3000, Nellee Hooper, Jimmy Jam, and Terry Lewis -- became involved. In September of 2004, the infectious and hyper dance single "What You Waiting For?" appeared with its accompanying video dominating MTV.
The album, Love.Angel.Music.Baby., hit the shelves in November with surreal artwork that introduced Stefani's four-woman "posse," the Harajuku Girls. The all-Asian Harajuku Girls were inspired by Stefani's fascination with the Harajuku girls of Japan, young club kids who have a flippant and fun attitude toward fashion. Appearing with Stefani live, in videos, and in photos, the Girls quickly drew criticism from the Asian community, angry about the rumor that they had to sign a contract to never speak English even though they could, and that Stefani's Girls looked nothing like the "real" Harajuku girls. Based on a dancehall cover of Fiddler on the Roof's "If I Were a Rich Man," "Rich Girl" became the next smash single with the anthem "Hollaback Girl" becoming success number three. While the singles were dominating pop and dance radio, Stefani appeared as Jean Harlow in Martin Scorsese's The Aviator. With music and movies checked off, Stefani moved into the world of fashion and introduced her clothing line L.A.M.B. Taking her influence to the world of tech, she designed the Harajuku Lovers' 4.1 MP Digital Camera for Hewlett-Packard. The camera was released in a limited edition with a Stefani-designed case and biographical DVD.


EARLY WINTER






You, you know how to get me solo
My heart had a crash when we spoke
I can�t fix what you broke
And you, you always have a reason
Again and again this feelin
Why do I give in

And I always was, always was one for cryin
I always was one for tears

[Chorus]
The sun�s getting cold, it�s snowin
Looks like an early winter for us
Looks like an early winter for us
An early winter, oh why did you deter me over

You said the map of the world is on you
The moon gravitates around you
The seasons escape you

And I always was, always was one for cryin
I always was one for tears
No I never was, never was one for lyin
You lied to me all these years

[Chorus]
The sun�s getting cold, it�s snowin
Looks like an early winter for us
Looks like an early winter for us
An early winter, oh why did you deter me over

Why, why do you act so stupid
Why, you know I�m always right

Looks like an early winter for us
It hurts and I can�t remember sunlight
An early winter for us
The leaves are changing colors
Starting over and over and over again
Starting over and over and over again
Well it looks like an early winter for us
It looks like an early winter for us